Tore Pulli used to enjoy looking at himself in the mirror. The ultra-short hair. The bright blue eyes. The strong nose. The dense, neatly combed beard. His sharp chin that no one had ever managed to punch without having their own smashed soon afterwards. The gold chains around his neck. The tight-fitting clothes. He loved to see how his muscles bulged, how his veins swelled under the tanned, tattooed skin. No one was ever in any doubt that he, Tore Pulli, was a guy they really didn’t want to mess with.
But that’s not what he sees now. His clothes no longer fit his body as snugly as they once did. What was at one time a tightly packed explosion, feared and revered, is nothing but a distant memory.
Pulli turns on the tap and lets the water run until it gets cold before he bends down and immerses his face in his wet hands. He rubs his eyes, dragging his fingers across his cheeks, his forehead, the frown lines and the bald patch before he dries himself with a white towel. Are you ready? he asks the face in the mirror. Are you really going to go through with this?
Veronica looks back at him from the picture on the cork noticeboard. As always, she looks straight at him with her lovely youthful smile. And as always he wonders how she keeps going.
Pulli sits down on the narrow pine bed, rests his elbows on his knees and cups his hands under his chin. His eyes wander to the rubbish bin overflowing on the grey linoleum floor. An ashtray, a lighter and a remote control are lying on a stool in front of him. His best friends. Surrounding him, his four worst enemies.
Resolutely he gets up and walks out into a corridor almost as long as a handball pitch, only narrower and with tables and seating arrangements, benches and chairs, placed either side of thick yellow lines. He nods briefly to the guard in the armoured glass cage, points to a telephone and gets a nod in return before he walks, unwillingly, to a table on the opposite side of the room A grey telephone sits on top of a dark-red plastic cloth. Stacks of writing paper, envelopes and forms are lying next to it. Pulli looks at the wall clock. Twenty minutes max.
He lifts the receiver but puts it back immediately. Have you done everything you can? he wonders. Is there really no one else who can help you?
No. There are no other options left.