Somehow Dragosani had expected it. In harsh, almost crude bas-relief, a triple device: that of the devil, the bat, and the dragon. He knew the motif only too well, and the question it prompted came out in a rush of breath which surprised him more than Giresci:
'Have you tracked this down?'
'The device, its heraldic significance? I have tried. It has a significance, obviously, but I've so far failed to discover the origin of this specific coat or chapter. I can tell you something of the symbolism, in local history, of the dragon and the bat; but as for the devil motif, that is rather… obscure. Oh, I know what make of it, all right, but that's a personal thing and purely conjectural, with little or nothing to sub-'p>
'No,' Dragosani impatiently cut him off. 'That wasn't my meaning. I know the motif well enough. But what of the man — or creature — who gave you the medallion?
Were you able to trace his history?' He stared at the other, eager for the answer without quite knowing what had prompted the question. Asking it had been an almost involuntary action, the words simply springing from his tongue — as if they'd been waiting there for some trigger.
Giresci nodded, took back the medallion, watch and chain. 'It's curious, I know,' he said, 'but after an experience like mine you'd think I'd steer clear of all such stuff, wouldn't you? You certainly wouldn't think it would start me off on all those long years of private search and research. But that's what it did; and where better to start, as you seem to have worked out for yourself, than with the name and family and history of the creature I had destroyed that night? First his name: it was Faethor Ferenczy.'
'Ferenczy?' Dragosani repeated, almost tasting the word. He leaned forward, his fingertips white where they pressed down on the table between them. The name meant something to him, he felt sure. But what? 'And his family?'
'What?' Giresci seemed surprised at something. 'You don't find the name peculiar? Oh, the surname is common enough, I'll grant you — it's chiefly Hungarian. But Faethor?'
'What of it?'
Giresci shrugged. 'I only ever came across it on one other occasion: a ninth-century White Khorvaty prince ling. His surname was pretty close, too: Ferrenzig.'
Ferenczy, Ferrenzig, thought Dragosani. One and the same. And then he checked himself. Why on earth should he jump to a conclusion like that? And yet at the same time he knew that he had not merely 'jumped to a conclusion' but that he had known the duality of the Wamphyri identity for a fact. Dual identity? But surely that too was a conclusion drawn in haste. He had meant that the names were the same, not the men, or man, who had borne the names. Or had he in fact meant more than that? If so it was an insane conclusion — that those two Faethors, one a ninth-century Khorvatian prince and the other a modern Romanian landowner, should be one and the same man — or should be insane, except that Dragosani knew from the old Thing in the ground that the concept of vampiric and undead longevity was far from insane.
'What else did you learn of him?1 he finally broke the silence. 'What about his family? Surviving members, I mean. And his history, other than this tenuous Khorvaty link?'
Giresci frowned and scratched his head. 'Talking to you' he growled, 'is an unrewarding, even frustrating game. I keep getting this feeling that you already know most of the answers. That perhaps you know even more than I do. It's as if you merely use me to confirm your own well-established beliefs…' He paused for a moment, and when Dragosani offered no reply, continued: 'Anyway, as far as I'm aware Faethor Ferenczy was the last of his line. None survive him.'
Then you're mistaken!' Dragosani snapped. He at once bit his lip and lowered his voice. 'I mean… you can't be sure of that.'
Giresci was taken aback. 'Again you know better than me, eh?' He had been drinking Dragosani's whisky steadily but seemed little affected. Again he poured shots before suggesting: 'Let me tell you just exactly what I found out about this Ferenczy, yes?
The war was over by the time I got started. As for making a living: I couldn't complain. I had my own place, right here, and was "compensated" for my lost leg. This plus a small disability pension rounded things off; I would get by. Nothing luxurious, but I wouldn't starve or go in need of a roof over my head. My wife — well, she had been another victim of the war. We had no family and I never remarried.
'As to how I became engrossed with the vampire legend: I suppose it was mainly that I had nothing else to do. Or nothing else that I wanted to do. But this drew me like some monstrous magnet…
'All right, I won't bore you; I explain all of this simply to put you in the picture. And as you know, my investigations started with Faethor Ferenczy. I went back to where it had happened, talked to people who might have known him. Most of that neighbourhood had been reduced to rubble but a few houses still stood. The actual Ferenczy house was just a shell, blackened inside and out, with nothing at all to show who or what had lived there.
'Anyway, I had his name from various sources: postal services, Lands and Property Registry, missing-believed-dead list, war casualty register, etc. But other than this handful of responsible authorities, no one seemed to know him personally. Then I found an old woman still living in the district, a Widow Luorni. Some fifteen years before the war she'd worked for Ferenczy, had been his cleaner lady. She went in twice weekly and kept his place in good order. She'd done that for ten years or more, until she'd grown disenchanted with the work. She wouldn't say why specifically, but it was obvious to me that the trouble was Ferenczy himself, something about him. Something that had gradually grown on her until she couldn't take any more of it. At any rate, she never once mentioned his name without crossing herself. Yes, but still she managed to tell me some interesting things about him… I'll try to cut it short for you:
'There were no mirrors in his house. I know I don't have to explain the significance of that…
'The Widow Luorni never saw her employer outside the place in daylight; she never saw him outdoors at all except on two occasions, both times at evening, in his own garden.
'She never once prepared a meal for him and never saw him eat anything. Not ever. He had a kitchen, yes, but to the old lady's knowledge never used it; or if he did, then he cleared up after himself.
'He had no wife, no family, no friends. He received very little mail, was often away from home for weeks on end. He did not have a job and did not appear to do any work in the privacy of his home, but he always had money. Plenty of it. When I checked, I was unable to discover anything by way of a bank account in his name. In short, Ferenczy was a very strange, very secretive, very reclusive man…
'But that's not all, far from it. And the rest is even stranger. One morning when she went to clean, the old girl found the local police there. Three brothers, a well-known gang of burglars working out of Moreni — a brutish lot that the police had been after for years — had been apprehended at the house. Apparently they'd broken into the place in the wee small hours of the morning. They had thought the house was empty: a bad mistake indeed!
'According to statements they later made to the police, Ferenczy had been dragging one of them and herding the other two to the cellar when his attention was arrested by the arrival of horsemen outside the house. Remember, in those days the local police still used horses in the more isolated regions. It was them, all right; they had been alerted by reports of prowlers in the area, the brothers, of course. And never were three criminals more glad to be given over into the hands of the law!
Thugs they were, by all means, but they'd been no match for Faethor Ferenczy. Each of them had a broken right arm and a broken left leg, and their intended victim was responsible! Think of his strength Dragosani! The police were too grateful to him to go into the matter too deeply, Widow Luorni said — and after all, he had only been protecting his life and property — but she was there when the brothers were carted away a few hours later, and it was plain to her that her employer had scared the daylights out of them.
'Anyway, I've said that Ferenczy was in the act of taking his captives to the cellar. For what purpose? A place to detain them until help arrived? Possibly
'Or a place to keep them, like a cool pantry, until they were… required, eh?' said Dragosani.
Giresci nodded. 'Exactly! Anyway, shortly after that the Widow stopped working there.'
'Hmm!' Dragosani mused. 'It surprises me he let her go. I mean, she must have suspected something. You said yourself that she was "disenchanted", that a feeling of unease had grown in her until she could take no more. Wouldn't he worry that she'd talk about him?'
'Ah!' Giresci answered. 'But you've forgotten something, Dragosani. What about the way he controlled me — with his eyes and his mind — on the night of the bombing, the night he died?'
'Hypnotism,' said the other at once.
Giresci smiled grimly, nodded. 'It is an art of the vampire, one of many. He simply commanded her that so long as he lived she would remain silent. While he lived, she would simply forget all about him, forget that she had ever seen anything sinister in him.'
'I see,' said Dragosani.
'And so strong was his power,' the other continued, 'that she actually did forget — until I questioned her about him all those years later. For, of course, by then Ferenczy was dead.'
Giresci's manner was beginning to irritate Dragosani. The man's air of self-satisfaction — his smugness — his obviously high opinion of his own detective skills. 'But of course this is all conjecture,' the necromancer finally said. 'You don't know any of it for a certainty.'
'Oh, but I do,' answered the other at once. 'I know it from the Widow herself. Now don't get me wrong: I'm not saying that she simply volunteered all of this. It wasn't that we had a good gossip session or anything like that. Far from it. No, for I had to really sit down with her and ask her about him, repeatedly, until I'd dug it all out. He was dead and his power gone, certainly, but still something of it lingered over, do you see?'
Dragosani grew thoughtful. His eyes narrowed a little. Suddenly, surprisingly, he felt threatened by this man. He was too clever by far, this Ladislau Giresci. Dragosani resented him — and at once wondered why. He found it hard to understand his own feelings, the sudden surge of emotion within. It was too enclosed in here, claustrophobic. That must be it. He shook his head, sat up straighter, tried to concentrate. 'Of course, the Widow is long dead now.'
'Oh, yes-years ago.'
'So you and I, we're the only ones who know anything at all about Faethor Ferenczy?'
Giresci peered at the younger man. Dragosani's voice had sunk so low that it was little more than a growl, almost sinister. There seemed something wrong with him. Even under Giresci's questioning gaze he gave himself another shake, rapidly blinking his eyes.
That's right,' Giresci answered, frowning. 'I've told no one else in — oh, longer than I can remember. No point telling anyone else, for who'd believe? But are you all right, my friend? Are you well? Is something bothering you?'
'Me?' Dragosani found himself leaning forward, as if drawn towards Giresci. He deliberately forced himself upright in his chair. 'No, of course not. I'm a little drowsy, that's all. My meal, I suppose. The good food you've served me. Also, I've driven a long way in the last few days. Yes, that's it: I'm tired.'
'You're sure?'
'Yes, quite sure. But go on, Giresci, don't stop now. Please tell me more. About Ferenczy and his forebears. About the Ferrenzigs. The Wamphyri in general. Tell me anything else you know or suspect. Tell me everything.'
'Everything? It could take a week, longer!'
'I have a week,' Dragosani answered.
'Damn, I believe you're serious!'
'I am.'